Set of Rent - life on TV The Tempest continues to be one of the most performed and interpreted plays in the canon, generating (and withstanding) autobiographical, allegorical, religious, metaphysical, and more recently postcolonial readings. The play’s central figure has likewise shifted from Prospero, who fascinated the romantics, to Miranda, who has claimed the attention of feminists, to Caliban, who is exhibit A in the reading of the play as “a veritable document of early Anglo-American history,” according to writer Sydney Lee, containing “the whole history of imperialist America,” as stated by critic Leslie Fiedler. The Tempest has served as a poetic treasure trove and springboard for other writers, with allusions detectable in John Milton’s Comus, T. S. Eliot’s The Waste Land, W. H. Auden’s The Sea and the Mirror, and countless other works. Based on its popularity, persistence, and universality, The Tempest remains one of the richest and most fascinating of Shakespeare’s plays.